![]() It has a sturdy double chain, which sits in a felt-lined plastic hub for silent operation. The bass drum pedal felt smooth and well-built. Like the cymbal stands, it had that black handle to set the drum’s angle, and its big rubber feet will keep it from walking away from you. Our snare stand was another sturdy unit and includes another one of Crush’s hinged memory locks. Each tier has an attractive memory lock that will recall your preferred positions. Our kit’s boom stands also feature a three-tier design to accommodate higher cymbal placements. These are always easier to grip and set than standard wing screws. I loved the black plastic handles on the cymbal stands, reminiscent of Mapex or DW hardware. HardwareĪll the hardware was double-braced, heavy-duty, and dependable. Their die-cast air vents also have a small silver metal badge for yet another classy touch. Their metal drum badges have a modern and eye-catching black and silver look. ![]() The simple side throw-off operates smoothly and quietly while raising the 20-strands of wires beneath the drum.Ĭrush’s memory locks are attractive, and when mated together create an oval profile. ![]() This design is more rigid than a typical triple-flanged hoop and is lighter than a die- cast hoop. The prototype snare had hoops curved inward, much like old Slingerland or current Mapex hoops. The kit has rubber-lined die-cast “Hoop Saver” claws to protect the hoops from gouging. I find them less convenient than fold-out spurs, though the included memory locks ensure that they’ll always be at the angle you prefer. I’ve heard drum makers claim this enhances sustain compared to fold-out spurs, but since I usually muffle my bass drum, this was a moot point for me. The bass drum also has removable gull-wing spurs. This makes it easier to tune the snare up to reggae ranges while putting less stress on the shell than eight-lug models. Like most professional kits the bass drum and snare have ten screws per head. I didn’t mind this, as I rarely find floor toms lacking sustain. The legs’ feet are solid rubber, rather than having a hollow or cushioned “sustain-enhancing” design. Our floor tom used these same brackets to lock the legs in place, with memory locks included. If you already have a set of hardware you like, you should be able to use it with these drums. The tom brackets are hinged, with unique removable inserts to accommodate different sized tom arms. The cool thing about this system is that it’s compact and shouldn’t interfere with your tom placement, as some traditional band systems can. They also feature Crush’s X-Suspension mounts that attach to four lugs, not just two on the top. The toms have 2mm triple-flanged hoops that allow a little more low-end from the drums than die-cast hoops. These are rubber-lined and have a tiny arch underneath, but it’s so small I had to purposely look for it. Crush uses its rectangular low-mass Mini Bridge lugs on all the drums.
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